videos

big boots
director: {jyllian}

note: whole video is letterboxed.
cos...just cos cinematicism is cool...things aren't supposed to be square.
they're supposed to be rectangular like a movie screen.
dammit.

drift all you like
from ocean to ocean

scene opens with a shot of a darkened room, laser sight moving.
flashlight on a male figure dressed in black.
seems to be some recognition between man and person holding flashlight (who we do not see), man walks over cautiously.
figure behind the point of view walks out, is a girl dressed in black, like man, holding flashlight and small gun.
they walk across the room and come to a gate cross-crossed with metal slats.

man-o-war

looking through it, we see that they are in a shopping mall after hours.
the girl finds a security box on the side of the gate, behind a display, and breathes on it, making the alarm lasers show up and works around them, programming in a code.

the worlds will come for you

the man holds the gate up for her and they sneak out, creeping along the walkways.

{getting louder}

another man dressed in black is seen on the edge of the camera, and the first man pulls the girl behind an aisle display.
she sets the laser sights on the second man, but he sees it and dives behind a fountain.

unplug the phones
stop all the chatter

the man and the woman make a mad dash for an exit, only to find it locked.
(view changes to that of a security camera flashing a red light.)
man makes motion for her to stand back, kicks in door.
(normal view.)
they run out with the other man on their tails.

{chorus}

first man trips, motions for girl to go on.
she looks confused, runs into well-light parking lot on the edge of a cliff.
very starry night, no clouds; good sky shot.
the moon is unnaturally big and white, taking up about 1/8 of the horizon.
she looks back to see the second man shooting the first man in the back.
she looks forward, sees that the moon is now 1/3 of the horizon, stares in shock, then looks back again to see the second man running after her.
when she looks forward once more, the moon is nearly all of the sky, in great detail of craters and texture.
she looks down off the cliff to see a glittering city below.

my love

we see a final shot of her face and she pulls a capsule out of her hat, which she throws off the cliff, turning around to fall after it with the assassin's bullet.